Imagine browsing a bookshelf in a library or bookshop.

Now imagine a performace that browsed the world looking for audiences. It scans the shelves for peoplebooks, glancing at titlefaces.

Occasionally, an attractive fontface makes it stop.

Picking up the peoplebook, it opens it wide and takes a look at the wordorgans, flicking the skinpages looking for information.

Stopping at a wordorgan, the performance runs its finger over the skingpage leaving a perffinger print on the wordorgan, an imprint of time.

Performance is a browsing body picking up bodywords to flick through.

Flicking through bodies and picking out the bits it likes.