Publications

 

Accepted Book Chapter

 

‘The Future of Clive Barker and the Alternative Theatre Movement’s Legacy in the Context of East London’s Cultural Ecology’ in Fryer, P. and Jones, N. (eds). 2021. Clive Barker and his Legacy: Theatre Workshop, Theatre Games. London: Methuen

 

Accepted Articles

 

‘Real(ity) Documents: Theatre in Mediatized Society’. 2021.  International Journal of Performance Arts and Digital Media, 16 (2)

 

‘Trans-Participation: Resisting Brexit through Networked Thinking in Post-Immersive Theatre’. 2021. Studies in Theatre and Performance, Performance and The Right: Strategies and Subterfuges 41 (1)

 

Editorial

 

‘Is the World After All Just a Dream?’ (co-authored with Lyn Robinson). 2018. Proceedings from the Document Academy, 5 (1)

 

Articles

 

‘The Post Immersive Manifesto’.2020. International Journal of Performance Arts and Digital Media, DOI: 10.1080/14794713.2020.1766282

 

‘Crisis Acting in The Destroyed Room’. 2019. Performance Research: Staging the Wreckage, 24 (5)

 

‘Good Night, Sleep Tight (Remix)’. 2018. International Journal of Performance Arts and Digital Media: Performance and VR Practice; New Work for New Environments, 14 (2)

 

‘Reality Theatre’. 2017. International Arts Manager, 13 (8)

 

‘Poor Traces of the Room: The Live Archive at the Library’ (co-authored with Anna Makrzanowska). 2017. Performance Research: On Libraries, 22 (2)

 

‘The Beckett Collection at the University of Reading’. 2016. Stanislavski Studies, 4 (3)

 

‘Stanislavski on Stage: The Benedetti Legacy’. 2015. Stanislavski Studies 3 (2)

 

‘The Archive is Present’. 2013. Desearch 3

 

Book Reviews

 

‘Documenting Performance: The Contexts & Processes of Digital Curation and Archiving’. 2020. International Journal of Performance Arts and Digital Media, DOI: 10.1080/14794713.2020.1778840

 

‘Imagined Theatres: Writings for a Theoretical Stage’. 2018. Drama Research 8 (1)

 

‘Encounters with the Russian Avant-Garde’. 2017. Stanislavski Studies 5 (2)

 

‘Dramaturging Personal Narratives: Who Am I and Where is Here?’ 2016. Stanislavski Studies 4 (1)

 

Reports

 

‘Body Brain Bingo Evaluation: A Practice as Research project Investigating Interdisciplinary Collaborations Between Academics, Artists and Activists Towards Projects Addressing Mental Health and Well-Being’ (co-authored with Jorge Lopes Ramos, Clare Qualmann and Persis Jadé Maravala). 2018. UCL Culture. [Available online: https://www.ucl.ac.uk/culture/sites/culture/files/brain_body_bingo_evaluation.pdf]

 

‘Mad Blud: A London Story’ (co-authored with Dominic Hingorani). 2011. Submitted to Theatre Royal Stratford East and the University of East London

 

‘Performing the Archive: Considering the Performing Arts Archive as a Tool and Provocation for Theatre Practice. 2011. Online Theatre Histories Archive